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AbstractEven though disposition is present in the consumer behavior research agenda, most of the studies focus mainly on intentional movements of products leaving the home. The present article describes a less conscious and co‐incidental journey of products into a liminal zone between use and disposal inside homes. A qualitative field study, based on the itinerary method, was undertaken with a group of 26 affluent women in Brazil. The findings show that consumers maintain purgatories – "forgotten" repositories of products no longer in use – as an in‐home disposition practice. The aspects and functioning of purgatory are also detailed, through a typology of purgatories and a discussion of specific strategies to deal with cluttering as a consequence of product accumulation inside homes. Finally, purgatories emerge as a contemporary consumer solution to deal not with individual products but with product collectivities' disposition. Copyright © 2016 John Wiley & Sons, Ltd.

Frontmatter -- Foreword -- Preface -- Contents -- List of figures and plates -- Introduction -- 1. The context of Wagenia initiation -- 2. Four aspects of Wagenia initiation -- 3. The departure -- 4. Circumcision and the reception in camp -- 5. The camp period -- 6. The return -- 7. Transitional symbols -- 8. Structuring and restructuring -- Appendices -- List of Kigenia words -- Bibliography -- Index of Names -- Index of Subjects

Research on creative-industries clusters emphasizes both community and network dynamics in cross-organizational linkages and their role in fostering group and individual creativity and innovation. This article turns to an economic sociology framework, examining what is at stake in these collaborations and their embeddedness in broader social relationships. The authors report on a qualitative study of the linking and networking practices and rationales of the design sector collocated in an inner-city area in Brisbane, Australia. The study suggests that not only was the locale important in both community and network-level relationships but also that these should be understood in relation to symbolic representation in the field of design. The article argues that the innovative potential of interorganizational linkages should be understood in terms of layers of symbolic identifications at the level of the field of design, the symbolic community associated with the locale, and the "awareness space" of networks.